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entries tagged with: U.s. Holocaust Memorial Museum


Facebook is home to a new kind of Holocaust remembrance

Anne Frank’s Facebook page looks much like any other teenage girl’s: The profile picture shows Anne leaning against a wall; her hair is tucked behind her ears; and she stares off sideways, daydreaming perhaps, a slight smirking smile lifting up the corner of her mouth.

The comments on her “wall” are typical, too.

“We share the same birthday!” and “I hate this girl.” A string of teenage commentary follows every one of the many photos that have been posted to the page. One, in which Anne is standing outside in shorts and a sunhat, elicits this remark: “she had long legs! woah! model” In response, a prepubescent boy named Ricky laments, “she did have long legs……i hate hitler.”

Whether the fact that Anne Frank has a Facebook page (one set up for “fans”) strikes you as creepy and inappropriate or as completely normal and even charming will depend largely upon your age and the number of hours you spend on a laptop each day.

But the reality is that Holocaust memorialization is moving onto social-networking sites like Facebook and presenting new opportunities for remembering the victims — and bringing a whole new set of complexities. One of the most popular and disorienting forms that this new virtual commemoration is taking is the Facebook profile. Even the U.S. Holocaust Memorial Museum is now involved with providing information to fill out the details of some of these profile pages.

The desire to personalize the identities of the 6 million Jews who perished in the Holocaust is not new. What is novel is the combination of this desire with a platform that is premised on empowering anybody to project his or her individuality far and wide.

There’s no more successful example of this fusion than the Facebook profile page of Henio Zytomirski. A small boy who must be no more than 7 or 8 years old appears in a black-and-white photo in the box provided for a profile picture. He looks full of joyful young life. But Henio has been dead since 1942, killed in a gas chamber at the Majdanek concentration camp when he was 9. On March 25, which would have been his birthday, dozens of Facebook users wished him a happy birthday on his “wall.” As of April 12, he had 4,989 “friends.”

One element unique to Henio’s profile is that it is being used to recount a narrative of this little boy’s life. In status updates written in Polish, Henio seemingly tells his story in his own voice. On Sept. 29 of last year, for example, this entry was posted: “Winter has arrived. Every Jew must wear the Star of David with his last name. A lot has changed. German troops walk the streets. Mama says that I shouldn’t be frightened, and always that everything is just fine. Always?”

The person posting in Henio’s name — and with the knowledge of his relatives — is Piotr Buzek, a 22-year-old history student from Lublin who works at the Brama Grodzka Cultural Center. According to Facebook’s policy, profiles of people other than oneself are allowed only with permission from the profiled person or, in this case, from that individual’s family. Buzek set up Henio’s page in August 2009, and since then he has been dutifully adding “friends” and posting photos and frequent updates. The center where he works was set up to promote the multicultural heritage of Lublin and has an archive of information and material on Henio’s life. It is from this that Buzek has created his virtual identity.

Buzek doesn’t think it strange that he should be speaking in the voice of a long-deceased Holocaust victim. As he sees it, this is a way of engaging a younger generation with what he calls “our tragic history.” Focusing on Henio and in essence bringing him back to life through Facebook is his way of making the Holocaust real.

“We can’t commemorate 6 million people,” Buzek said when the Forward reached him in Lublin. “I can’t imagine this number. But I can imagine one person. This boy was one of them. I can imagine him. And if you want to feel something deeper, you should concentrate on one person. You can touch it. You can’t touch 6 million people. You can touch one.”

Henio Zytomirski’s Facebook profile got some attention for being one of the first to use the site for that purpose. More than a few people were puzzled that Facebook could become a place for memorializing.

“The thing to remember is that many of these new social-media platforms are fluid, and information posted on them is very ephemeral,” said Evgeny Morozov, a blogger and contributor for Foreign Policy magazine. “What is it about Facebook or Twitter that makes them suitable for commemoration? I can’t find anything because they are built on the opposite principle. All the most recent stuff comes first.”

Those engaged in the more traditional forms of Holocaust remembering — namely, museums and physical memorials — are mostly skeptical of this new, looser, virtual form.

David Klevan is the education manager for technology and distance learning at the Holocaust museum. He was one of the organizers of what was called an “un-conference,” a gathering last December of museum professionals partly to try to figure out how to better use new social-networking platforms in ways that don’t trivialize the content.

Klevan looks a little warily at the Facebook profile phenomenon because he worries that those posting and those reading the posts don’t have access to a full historical context. Young people respond directly and sometimes thoughtlessly to the image or words in front of them — like the photo of Anne Frank in shorts. The pieces of information presented are disconnected from a larger narrative, and in a way that does not allow for any follow-up questions or further study.

“We prefer to maintain as much of the context as possible,” Klevan said. “If people are going to learn the stories of the victims, it’s preferable that they have easy access to supporting information and also being aware of where the content is being encountered.”

But the Holocaust museum has been providing information on the individual stories of victims to a Website called, an online service that is trying to digitize historical documents and use them to create virtual memorialization projects. One of the service’s bigger endeavors is a complete online simulacrum of the Vietnam Wall Memorial, where information can be added to fill out the identities of those who died. has used the information provided by the Holocaust museum to create 600 Facebook profiles for Holocaust victims.

Unlike Henio’s profile, the Facebook pages created by are different than the pages that individuals make for themselves. But they do still have all the usual features — a profile picture and a “wall” where pictures and comments can be posted, and attempt to do the same thing: create a virtual space for the individual victim to emerge.

“Our running tagline has been, “History is biography,’ “ said Chris Willis, vice president of social media for “If we are changing the form that that biography is being presented, it is only to make it more accessible. It’s going to make it easier for people to add more information about a life, maybe even add the kind of information that will help that life seem more unique and, in the end, much more compelling.”

This story first appeared at


Kaplen JCC collection will tell survivors’ stories

JCC director shares his father’s prison jacket

Mordecai Paldiel

As director of Yad Vashem’s Department of the Righteous for some 24 years, Mordecai Paldiel learned firsthand that many survivors have not yet told their stories.

Now a professor of Holocaust and modern European history at Stern College in New York, Paldiel says he still encounters such people every day.

“When the rabbi [at Chabad of Fort Lee] said we have among us someone from Yad Vashem, people approached me with their stories,” said the Bergen County resident. Many had never before shared their wartime experiences.

It is for these people, and the history they represent, that Paldiel and the Kaplen JCC on the Palisades in Tenafly are launching a project to collect Holocaust memorabilia and record the stories that surround them.

“I know Rabbi [Steve] Golden [JCC Judaic director] because I gave a few presentations on the Holocaust at the JCC and spoke there on Yom HaShoah,” said Paldiel, describing the genesis of the Holocaust collection initiative.

“I told him I knew of people with all kinds of memorabilia — photos, documents, anything having to do with that sad period — that they are keeping to themselves and don’t know how to dispense with. Each of these items has a story behind it.”

Paldiel suggested to Golden that they invite Holocaust survivors and their families to “bring whatever they have in some shoebox.” Noting that many of these survivors have not spoken with their own families about their experiences during the Shoah, Paldiel said he will sit down for an hour or so with all who come in.

“We’ll look at their items and talk about what they mean to them, tell their story,” he said. “Then maybe we can have an exhibit of some of these items and have these people talk about them.”

After that, the artifacts will either be returned to their owners or, perhaps, dispatched to places like the Museum of Jewish Heritage in Manhattan or the U.S. Holocaust Memorial Museum in Washington. The items might also be used for educational purposes in schools and colleges.

“One of the Judaic Department’s goals is to engender more opportunities for Holocaust education,” said Golden. “Eliciting previously untold stories of survival via these artifacts is a creative way to hear the voices of Shoah survivors.”

The father of Avi Lewinson, JCC executive director, wore this jacket in Dachau.

Announcing the project, the JCC issued a statement suggesting that items might include documents such as passports, visas, work permits, travel permits, as well as authentic and false identification cards; photos of survivors or lost loved ones; religious artifacts such as siddurim, mezuzot, tefillin, and prayer shawls; and various personal items, such as clothing, books, diaries, utensils, “or other objects linked to this terrible time in history.”

One object comes from JCC Executive Director Avi Lewinson himself: the prison jacket worn in Dachau by his father, Yakov Chaim Lewinson.

“If you see how light it is and think how cold the winters were and know that it was basically all he had on his body, it speaks to the brutality of the cold,” said Lewinson.

Lewinson said his father spoke of the hunger as being even worse than the cold, and that too is manifest in the jacket. “Look at the size of the shirt. It looks like it was for a 10-year-old. My father was in his early 20s as this was going on. I just can’t picture my dad that emaciated,” he said.

Paldiel cited the green sweater worn by a retired New York dentist, Krystyna Chiger, who had not spoken with her family about her wartime experiences. In 2008 she wrote a book, “The Girl in the Green Sweater,” chronicling the year and a half she spent hiding from the Nazis in the sewers of Lvov, Poland, wearing a green sweater to keep her warm.

“She held on to that sweater, which is now dilapidated,” said Paldiel. “It was the most precious item she kept. Now her family knows about it. Maybe we can encourage other people to come forward and show their artifacts, and maybe there are extraordinary stories they will tell.”

Recounting Holocaust experiences is very difficult for some, said Paldiel.

“There was a girl who was on a train to Auschwitz with her family, and she was sent on a labor detail and the rest of the family went to the gas chamber. How does she speak with her children about that? People would rather tell nice things, not horror stories, to their children and grandchildren. They see enough of that on TV.”

As a result, he said, survivors “hint” at their stories, so that children may know that their parents or grandparents are survivors, but they don’t know any further details.

Still, he said, if survivors are hesitant to speak in front of their families, “maybe they will do it in front of others with a similar background.”

His plan is to meet individually with survivors at the JCC.

“We’ll say bring in what you have and we’ll see if it’s worthwhile,” he said. The hope is that survivors will tell their stories and Paldiel will write them down.

The project is important because “time is passing,” he said. “The memory is fizzling but [survivors] still remember some of the important details. If we wait too long, it will be too late.”

Paldiel believes that for those who now tell their stories, “it will be like a release. What they fear is that once they pass, their stories will be buried and no one will know. It concerns them, but they don’t know how to present it. Now they know that their stories will be on the record.”

For others, “It’s a great tool to learn about these people in their community who passed through that horrible experience, started a new life, raised families, and got over it. It’s very encouraging,” he said. “To be able to cope is a very optimistic thing.”

To schedule a meeting with Paldiel, call Golden at (201) 408-1426.

Larry Yudelson contributed to this report.

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