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Film explores the role of Jews in Civil War

 
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Image from the film “Jewish Soldiers in Blue and Gray.” The National Center for Jewish Film

As America marks the 150th anniversary of the Civil War, a new film highlights the role Jews played in the conflict that pitted North against South. The 86-minute film, “Jewish Soldiers in Blue and Gray,” was produced by the National Center for Jewish Film of Brandeis University. It was screened locally on July 13, at Cong. Beth Tikvah/New Milford Jewish Center.

“Jewish Soldiers in Blue and Gray” was written by Jonathan Gruber, with an assist from Robert Marcus. It was directed by Gruber. It relies on interviews with Civil War historians such as Shalom Lamm and Lincoln scholar Harold Holzer and descendants of Jewish soldiers, as well as original letters and records stored in museums, archives, and private homes. Approximately 7,000 Jews fought for the Union; approximately 3,000 fought for the Confederacy.

The screening attracted a wide audience, including many from outside the congregation. Ken Morrow of Dumont said he had always been curious about Jewish soldiers serving in the Civil War. “This is a subject most people are not informed about.”

Bob Mark, rabbi of the New Milford congregation, noted in his opening remarks that most history textbooks ignore the contributions of Jews to the early history of the United States.

Although more than twice as many Jews fought for the North than the South, the film explores the myth that the North was friendlier to the Jews. Said one expert interviewed in the film, “The lines of division in the South were more racial than religious.”

The film discusses the career of Judah P. Benjamin, one of the first Jews to serve as a U.S. senator. The Louisiana native, known for his “incredible oratorical skills,” was a leader of the secessionist movement that created the Confederate States of America. He served as “Jefferson Davis’ right-hand man,” said one historian featured in the documentary, was appointed secretary of state among his other positions, and his face appeared on the Confederate two-dollar bill.

Also highlighted was Eugenia Levy Phillips, who was imprisoned for spying for the Confederacy.

Other notable Jews highlighted by the film include Alfred Mordecai, a major in the U.S. Army who refused to fight for either side during the war and resigned his position in protest of it; Rabbi Max Lillienthal, a vehement abolitionist; and Lt. Jacob Ballantine, who fired some of the first shots on Union soldiers at Fort Sumter.

The movie also discussed the Concordia Guard, reportedly an all-Jewish company of 96 men that was part of the 82nd Illinois Infantry.

Evidence of Jewish involvement in the war rests not only in the archives and the descendants of soldiers, but also on the field. A cemetery in Richmond holds the remains of dozens of Jewish soldiers who served in the Civil War. Additionally, a 19th-century Jewish activist, Simon Wolf, published a directory in 1895 containing the names of 7,000 Jews who fought on either side during the conflict. After being given a copy of the directory — “The American Jew as Patriot, Soldier, and Citizen” — Mark Twain publicly recanted a statement he made criticizing American Jews for refusing to fight in the Civil War.

The film also explores anti-Semitism in America at the time. One bright spot in the film was a discussion of President Lincoln’s strong support for the Jewish community. Lincoln’s voice in the film was more familiar to most people in the audience as belonging to Manhattan District Attorney Jack McCoy, the “Law & Order” character portrayed by the actor Sam Waterston.

Immediately after the screening, there was a brief discussion led by Rabbi Mark. He said he hoped that viewers had discovered “something you never knew before.”

“Pass this information on to your children,” he told the audience.

“Jewish Soldiers in Blue and Gray” was produced by Indigo Films, with funding from the Shapell Manuscript Foundation .

For more information about the film or to schedule a screening, call the National Center for Jewish Film at Brandeis University, (781) 736-8600, or e-mail .(JavaScript must be enabled to view this email address).

 
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‘Seltzer Nights’ fizzes and fizzles

MC David Mandelbaum told the friendly and enthusiastic audience at the Castillo Theatre last Saturday night that “a tzubrokhenem Yiddish is besser fun an eleganten English,” which means a broken Yiddish is better than an elegant English. If so, there was plenty of tzubrokhenem Yiddish on stage to prove his point.

The artistic director of the New Yiddish Rep, Mandelbaum also is a co-creator, along with Shane Baker, Beck Lee, and Frank London, of the Rep’s new project, “Seltzer Nights,” now playing at the Castillo on Manhattan’s far West Side one Saturday night per month for the next three months.

Described as an immersive musical, “Seltzer Nights” is in the development stage, with the novelty that the development is happening in public. On April 18, May 9, and June 13, theatergoers can see the company build a musical based on Yiddish vaudeville and help it along with their suggestions.

 

Felix and Meira

One of the more exciting developments in cinema over the last decades is an effort to contemplate aspects of ultra-Orthodox Jewish life.

Though you might think that the unseen and somewhat mystical world of the chasidim would invite cinematic study, few narrative and documentary filmmakers have done so. Adapting Chaim Potok’s novel for the screen in 1981, Jeremy Paul Kagan gave us “The Chosen,” and 16 years later, Menachem Daum and Oren Rudavsky brought us the documentary, “A Life Apart: chasidism in America.” In the years that followed, a few Israeli filmmakers, including Amos Gitai, made unflattering movies about that world. Now, Maxime Giroux’s “Félix and Meira,” a powerful study of disparate worlds colliding when a young chasidic mother unexpectedly meets a non-Jewish man as he struggles to come to grips with his father’s death, charts new ground.

 

‘A Nazi Legacy’

Two sons diverge on mass-murdering fathers

It’s hard not to get emotional watching the superbly rendered “A Nazi Legacy: What our Fathers Did.”

But unlike many Holocaust documentaries, the overwhelming feelings aren’t sadness and loss, though there are those, too. They are exasperation and anger.

In the film, which premiered at the Tribeca Film Festival in New York last month, British-Jewish lawyer Philippe Sands tells the story of two men, both the children of high-ranking Nazi figures.

Niklas Frank is the son of Hans Frank, Hitler’s lawyer and the governor-general of Nazi-occupied Poland. The elder Frank was hanged in 1946, after being found guilty at Nuremberg for complicity in the murder of Poland’s 3 million Jews.

Horst von Wachter is the son of Otto von Wachter, an Austrian who served as the Nazi governor of Galicia (now Lviv, Ukraine) and died in hiding in 1949 while under the Vatican’s protection.

 

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‘A Nazi Legacy’

Two sons diverge on mass-murdering fathers

It’s hard not to get emotional watching the superbly rendered “A Nazi Legacy: What our Fathers Did.”

But unlike many Holocaust documentaries, the overwhelming feelings aren’t sadness and loss, though there are those, too. They are exasperation and anger.

In the film, which premiered at the Tribeca Film Festival in New York last month, British-Jewish lawyer Philippe Sands tells the story of two men, both the children of high-ranking Nazi figures.

Niklas Frank is the son of Hans Frank, Hitler’s lawyer and the governor-general of Nazi-occupied Poland. The elder Frank was hanged in 1946, after being found guilty at Nuremberg for complicity in the murder of Poland’s 3 million Jews.

Horst von Wachter is the son of Otto von Wachter, an Austrian who served as the Nazi governor of Galicia (now Lviv, Ukraine) and died in hiding in 1949 while under the Vatican’s protection.

 
 
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